This story is from November 8, 2016

Aindrita Ray's sexy club number releases today

John Jani Janardhan's cinematographer, Santhosh Rai Pathaje, speaks about the song and more
Aindrita Ray's sexy club number releases today
If Kannada films have been looking glossy and luxurious, then Santhosh Rai Pathaje has had something to do with it. The cinematographer ' who is also a director, script writer, costume designer and now, colourist ' weaves his magic with John Jani Janardhan (JJJ). With the track Hudgeer Hudgeer releasing today, the multi-faceted Santhosh spoke to Bangalore Times about the movie and more'
First off, tell us about Hudgeer Hudgeer'
The song features Aindrita Ray, and it looks like a club song, with many fun elements.
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But it's not a regular club song or item number; most club songs are mostly about dancing, but this one reflects the joy of the three lead actors (Yogi, Krishna Ajai Rao and Krishna). It is a dream song with a lot of colour.
You are known for your lavish style and glossy work'
I never intentionally try to be glossy. I think that unknowingly, what I see around me reflects in my work. When I am free, I like to watch foreign films. I am exposed to urban trends, love travelling and like western songs, so, I think all that plays a role in my work.
You are more than just a cinematographer for JJJ'
Yes, I shot and did digital intermediate (colour correction) for the entire film, and I think that I am the only
DOP in India to do that for a commercial film. I did the colour correction since when it comes to visuals, it's very hard to describe, say, a certain tone that I have in mind for a shot to another person. One needs proper technical knowledge and it is a tedious job, but I decide to do the colour correction as well so that I can bring alive the vision I have in my mind. I am fascinated with colours.
You have been around for 14 years. What makes you one of the most sought-after cinematographers in the Kannada film industry?
There is an abundance of talent, but apart from talent, a person's character and discipline also matter. I am 100% committed to my films, and, in fact, only do one film at a time. Usually, DOPs only know their art, but having been a director, I am involved in all the creative fields, such as the costumes and the script. Of course, the quality of my work also keeps me in demand.
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